CHUMPON APISUK
Asiatopia is an Asian Performance Art Festival, supported by Bangkok
Metropolitan Administration (BMA) and organized by Concrete House in co-operation with 5
others independent artist groups, EMPOWER Foundation and the Office of Social Welfare
Division of BMA.
Asiatopia emphasis in strengthening cooperation among Asian performance artists and
related practices. It also aims to promote performance art practices, art activities in
public places and political commitment in contemporary arts and cultural funds and
supports from the Thai Government and governments in this region.
The first Asiatopia was in October 1998, with participation of 19 artists from Japan,
Korea, Bangladesh, Indonesia, Singapore and Thailand. This year, 1999 the second Asiatopia
will be held in November 20-21, at Saranrom Park, in the old city of Bangkok. There will
be 25 artists from Bangaldesh, Myanmar, Vietnam, Philippines, Singapore, Korea, Japan,
Australia and Thailand.
One of the special program of Asiatopia, is NETOPIA a live broadcast and
linkages via electronic mail sytem, organized and designed by a media artist Prapon
Kumjim. Asiatopia is also seeking direct linkages with artists overseas and elsewhere in
Bangkok and in Thailand to interact with NETOPIA. If you wish to join the
program, please let us know and allow us to give your e-mail address to Khun Prapon who
will be connecting with you and setting up linkage plan and schedule.
Describing performance;
In my recent performance, I use action of jumping rope, a long rope which use 2 persons to
swing and others jump, a game which everyone experience during their childhood. The action
is to encourage people / audience to take part and enjoy themselves again, remembering our
childhood. I cut the rope in to shorter rope, and encourage people to keep on swinging the
rope. At the end of the action there are many short ropes that are impossible to use as a
jumping rope, but I ask people to keep on swing them, in pairs.
At this moment I would craw pass through each pair of rope swingers, under swinging short
ropes. My both hands tied together with my own T-shirt I wore, and I am half naked. The
action of crawling takes from military severance acts during the repression against
masses. Such military action happen to public eyes in Thailand for at lease 2 times during
the military force were used to crack down peaceful mass protest against the government,
many civilian lives were killed and injured.
These 2 incidents marks an important changes to Thailand recent political history. The
childhood enjoyment transform into repressive act.
The following action after the crawling, I asked people to stop rope swinging, then I turn
myself into childhood funny act again by shooting water gun at uniformed mechanical dolls.
Like a child I gave myself awarded decorations after successfully toppled down many
uniformed dolls. My action became more aggressive and more confrontation with the
audience. However, at the end aggression turns funny and playful but with my own-self by
shower myself with the water in the gun.
This performance is my reaction towards our elected politicians, who were once democratic
fighter. But when they were elected and have government power, they do not have courage to
keep their democratic principle. They became undemocratic, defending corrupted
bureaucrats, use all means of power to keep themselves in power for their own benefit and
opportunity to wealth. They even cooperate with military who openly represents fascist
elements.
To describe these actions in detail sounds very descriptive, and makes my performance have
lesser meaning. However, this is not a directive action, and I dont have precise
timing for each action neither a well plan for what would be next. I like to let my
performance like a child plays among their friends.
How I see Performance Art? In New York City (where I use to live between 1976-82), I have
seen many people dance with their silence music. The music in which created within their
body inside that automatically manipulate their movement.
Watching these people was fascinating and very much live to me. These are individual live
action of musical forms and movements.
When I was among my folks, back to my childhood days. I remember, when people engaged in
their conversation - discussion, listeners always responded by sounds of Uhmmm,
Ohhhh, Tah Tah, Nan Nah, Eui...., etc.
These sound always accompanied with action of nodding their head, moving their body or
make their face to express their engagement in such dialogues. While a person who talk
stays calm as they try to keep their story together and try to make their communication
clear to listeners. Sometime the whole group put their heads close to each other, this
seems to be a very caution act for on lookers. These kind of engagement you hardly see
today, as people sticking their head to TV screen and have no time for such non-television
stories. These are images of the past, but they are clear and very natural and very much
social engagement norm.
At my present work as community worker and trainer, which often use participatorial
techniques to create mutual understanding among trainees. Each group action are not just
fun or to break the ice, but they are also mean something for participants in the acts and
on lookers can also discuss about it. Most of the time these action are following the
lessons that instructor create in order to make the learning process an exchange of
personal experiences. This is a very democratic way of teaching and learning together.
This is very important process, many times they are more important than the achievement
goal expected by instructor. However, the process help people-participants helping each
other find some resolution together. The process is very inspiring.
These three element are basic theory, I may say for me to develop my action. They are
responsive, inside out, and process of engagement.
Recently I wrote a statement to accompany above mentioned performance: 1999 - The
year that make all of us feel like we have come to another chapter of our civilization.
This is an imagination, it is a dream that once we wake up, we realize that our calendar
is still hanging at the same place at the kitchen wall. However, most discussion of the
past decades, guided us to the new hope for the next millenium. It seems like the future
which is waiting for us has already been made. I look back, and try to find out where we
are heading towards. Sorry, when I look back I cannot see what is in front of me. The
future is not a visible things, we only wish that what we have done will continue and lay
roads infront of us.
As a citizen of Thailand, I am with another 60 million Thai are living in the 25 Buddhist
Era (B.E.) Century. Many bad things had happened. There were a few good times that remind
me on peace and freedom. The liberation of Vietnam, Laos and Cambodia, the end of the Shah
in Iran. Then the fall of the Berlin wall and many national liberation in Eastern
Europe. But now, to really think about all these, does freedom really mean peace or does
it just mean another war. Look around us now, Kosovo, Chenya, Middle east crisis,
Indonesia, Myanmar (Burma), etc... Who causes these wars? Well, at least, I ask myself,
should we really ask the question about, what will come next? Is it Ghost in front of me?
(Text from: Festival Der Geister, Kunsthaus Tacheles, Berlin,
Germany 12 August - 26 September 1999)
I was asked by a curator and friend of mine, about political and social
concern in many Thai contemporary art work
including in my performance. I told her, as followed: I remember when I was 8-9 year
old, Thailand calendar was entering B.E. 2500 (Buddhist Era). There were also many
predictions about 25th century B.E., people believe that Buddhism will come to an end, the
new Buddha would be born. During the time new Buddha was emerging, the world will be in
chaos, and coming to an end. The end is also the beginning of the new Buddha Era.
We are living in the 25 B.E century. And many bad things have happened, and also
a few good things. Thailand went into a civil war for about 10 years in the 70s and the
war ended in the 1980s. In the 90s many democratic fighters became elected MPs, as we have
entered into parliamentary system, with a vote buying democratic election. Politically we
are entering the new Thailand with a reformed constitution. This does not mean we have
accomplished out freedom. Thailands democratic system has been and still is
manipulated and directed by those who are in power and have money, we are a country with
minority rules.
The Second World War ended just a year before I was born, and the People Republic of China
declared its independence in the same year I was born. The Korean War started in 1950 when
I was a little over one year. My country then was in the stage of fear, that communists
would march down from China. As a country boy, I had owned a few colourful posters made by
American USIS, of anti-communism. USIS came to my home town with a van and show us moving
pictures. We were introduced to John Wayne and Walt Disney, later on came Ben
Hur, and the Ten Commandments, etc.
There were times in which I believed that peace was real, and we were bombing of Vietnam,
Laos, Cambodia were a few hundred kilometres away on the east, Burma was just a few steps
across a waist deep river, and a thousand freedom fighter have been out there.
We are lucky to have democracy! But we are not very lucky when our country was robbed by
bankers and trusts with benefit paid to a few rich politicians pocket and a few tycoons.
These bad guys were lucky, because we have democracy, which they make us believe. Today we
are made to believe that our economy is improving and we ought to be happy. Because
democracy save us again! Democracy that saves us this time brings in loans and businesses
take over from America and Europe.
Western critics and investors tell us to learned the lessons, and be good student of
International Monterey Funds (IMF), and the World Bank and Wall Street, and Euro Banks and
Japanese and etc. Because we are entering the globalization economy of the G7.
Thanks to Democracy!
(Text from: Festival Der Geister, Kunsthaus
Tacheles, Berlin, Germany 12 August - 26 September 1999) |